THEATRE AS A CATALYST FOR CONSCIENTIZATION: REFLECTIONS ON FORUM THEATRE IN JOS METROPOLIS

Abstract

This paper examines the role of Applied Theatre, specifically Forum Theatre, in fostering conscientization among communities in Jos Metropolis, Nigeria, amidst persistent interreligious and inter-ethnic conflicts. Using Augusto Boal's theoretical framework, the study adapted Forum Theatre into a participatory radio drama format based on a model developed by Mary Traynor termed "Forum Theatre on the Air." This anti-model radio drama depicted conflict escalation scenarios grounded in the community's lived realities, serving as a catalyst for critical reflection and dialogue. Audience members actively intervened during the broadcast, suggesting alternative courses of action to resolve conflicts, while post-mortem focus group discussions provided deeper insights into communal perspectives. Participants critically explored key triggers of violence, such as misinformation, economic disparity, youth unemployment, and residential segregation, proposing actionable and context-sensitive solutions. The findings underscore how applied theatre empowered community members to critically appraise their socio-political environments, identify systemic inequities, and envision peaceful coexistence. Moreover, the theatrical process encouraged collaborative problem-solving and fostered empathy, trust, and inter-generational dialogue, essential for rebuilding the culture of peace eroded by decades of conflict. While highlighting the limitations of a metropolitan context and a radio-based approach, the study concludes that applied theatre is a transformative tool for conscientization and community-driven peace building. It offers practical insights for leveraging arts-based interventions in conflict-affected and culturally diverse settings.